In a couple of weeks I will be moving away from Seattle. I sold my little condo on First Hill (closing in exactly 9 days) and will be packing up a U-Haul to head back east before the end of the month. I guess that’s why I feel the need to “stock up” on art made in the Pacific Northwest as my final few days living in the upper left-hand corner of the USA are slipping away.
Why am I leaving? Well that’s a story for another time.
The important thing is, this morning I found something that will forever make me think of my time in Seattle…
Here’s the backstory (in case you’re interested)…
THE START I have been trying to draw since two or three years old. First, it was funny little men with hats, then cartoons, then wanting deeply to put my version of what I saw in nature down on paper. Drawing was a world apart, which I could retreat into when the world my body inhabited was temporarily uncomfortable. My father was the son of English immigrants, so the children’s stories I was read before bed were illustrated by such great British artists as Arthur Rackham and Earnest Shepherd. These two artists influenced my style of drawing more than any others.
Black and white line drawings fascinated me for many years, as I trained my hand and eye to work together, to relax and flow. So I worked in pencil, charcoal and pen & ink for a long time, always delighting in working outdoors in nature. My family was a California family that camped and hiked, so I formed a passion for nature early on.
SCRATCHBOARD In later years I began to be drawn to woodcuts, linocuts and etchings, and experimented with these media for numbers of years, until I discovered scratchboard. What I loved about this medium was the fact that it allowed me to have the feeling of pen & ink as well as the feel of a woodcut, linocut or etching. The hand printing process of these latter media had never interested me much, so scratchboard was perfect, in that it is a drawing medium that looks like a hand-printing medium. I worked for years with the old type of scratchboard that can only be done in black & white.http://sharonnealwilliams.com/pages/bio.html
Thank you, Seattle, for being my home for the past 7 years – for teaching me I am tougher than I thought I was and for introducing me to so many new things/experiences. I am forever indebted.